Contents.Reception Songs of Mass Destruction received generally favourable reviews from critics upon its release, holding a Metacritic's average score of 68 out of 100 based on 18 reviews.The album debuted at number 7 on the UK chart, where it has since been certified Silver by the. It peaked at number 9 on the U.S. Where it sold 78,000 copies its first week. According to, the album had sold 275,000 copies in the United States as of October 2010 and 71,000 copies in United Kingdom. Singles The first single, ', originally appeared on Lennox's page on 15 August 2007. It was subsequently released as a single on 24 September 2007 and charted at number 58 on the.The second single, ', was released digitally on 1 December 2007 and it had a physical release as a single on 17 March 2008.

'Eve of Destruction' is a protest song written by P. Barry McGuire recorded the track in July 1965.

'Sing' is a collaboration between Lennox and 23 other prominent female acts and artists and is a charity record aimed to raise money and awareness for the / organization. The line-up consists of (who sings solo on the second verse of the song), and.As Lennox reported herself on her official website, this song is about raising money and awareness for what she considers to be the HIV/AIDS genocide: “Several years ago I personally witnessed, standing in front of his former prison cell on Robben Island, addressing the world's press. His message was that the pandemic of HIV/AIDS in Africa was in fact, a genocide. Since that time I resolved to do as much as I can to bring attention to the HIV/AIDS crisis.”Tour On 13 September 2007, Lennox announced a primarily North American tour for Songs of Mass Destruction called 'Annie Lennox Sings', which is only the third solo tour of her career.

Lasting throughout October and November, 2007, the tour included 18 stops:, (two dates),. The venues generally were at medium-size theatres, except in New York City, where one of the dates was a fundraiser at restaurant Cipriani.Track listing All tracks are written by Annie Lennox, save 'Womankind' which had additional writing.

Love Is Blind'4:183.' Ghosts in My Machine'3:305.' Womankind' (featuring )4:286.'

Through the Glass Darkly'3:297.' Coloured Bedspread'4:299.' ' (featuring various female artists; see Singles above)4:4810.' Big Sky'4:0211.' Fingernail Moon'5:02Barnes & Noble bonus tracks No.TitleLength12.'

Dark Road' (Acoustic version)3:3013.' Don't Take Me Down'3:52iTunes special edition bonus tracks No.TitleLength12.' ' (Live)4:3013.' Dark Road' (Live)3:46Deluxe edition enhanced CD No.TitleLength1.' Track-by-track commentaries'46:512.'

Dark Road' (Music video)3:463.' Bonus materials'Bonus track version No.TitleLength1.' Little Bird' (Live)4:202.' Walking On Broken Glass' (Live)4:303.' Smithereens' (with Audio Commentary)5:154.' Sing' (with Audio Commentary)4:465.'

Dark Road' (with Audio Commentary)3:47Personnel. Eddie Baytos –.

– arrangements, additional production. Allan Martin – artwork design. Sean Hurley –. Blair Sinta –. Joel Shearer –.

Zac Rae –. –. –. Femio Hernandez – mixing assistant. Mike Owen –.

–, keyboards. – piano, keyboards. –, keyboards. Scott Campbell – recording engineerCharts.

Retrieved 15 July 2013. at. Retrieved 15 July 2013. Moser, Margalet. Austin Chronicle. Retrieved 26 October 2007. Greenblatt, Leah.

Retrieved 5 October 2007. Sullivan, Caroline. The Guardian. Retrieved 5 October 2007.

Guerra, Joey. Houston Chronicle. Retrieved 2 October 2007. Cromelin, Richard (1 October 2007). Los Angeles Times. Retrieved 31 January 2014.

Arnold, Chuck (8 October 2007). Retrieved 31 January 2014.

2 December 2010 at the. Katie Hasty, Billboard.com, 10 October 2007. McLean, Craig.

Retrieved 19 January 2019. 26 December 2008 at the. Retrieved on 29 January 2008.

(ASP). Retrieved 2 July 2012. (ASP). Hung Medien (in German).

Retrieved 2 July 2012. (ASP). Hung Medien (in Dutch). Retrieved 2 July 2012. (ASP).

Hung Medien (in French). Retrieved 2 July 2012. ^. Retrieved 2 July 2012.

Retrieved 2 July 2012. (ASP). Hung Medien (in Dutch). Retrieved 2 July 2012. (ASP). Lescharts.com (in French). Retrieved 31 January 2014.

Culdcept revolt dlc free. For Culdcept Revolt on the 3DS, a GameFAQs message board topic titled 'DLc worth it?' For Culdcept Revolt on the 3DS, a GameFAQs message board topic titled 'Free DLC sign up'. Culdcept Revolt: DLC 3DS is a Strategy-Board Games game Developed by Omiya Soft and Published by NIS America, Released on 3rd October, 2017. Follow Allen, a new recruit for the rebel Free Bat forces as you fight for freedom from the tyranny of Count Kraniss. Build your deck, create new strategies, and dominate the board in Culdcept Revolt! With all the classic elements veterans love yet a gentle learning curve for newcomers, Culdcept Revolt is the best Culdcept yet! Today, Nintendo streamed a second Nintendo Direct presentation for Culdcept Revolt, which comes out next month in Japan. During that Nintendo Direct, several announcements were made, and here’s a quick rundown: Culdcept Revolt will get some DLC. There will be sets including Book Cover + Avatar + Dice, sold 300 Yen each.

(in German). Media Control. Retrieved 2 July 2012. Retrieved 29 January 2014.

(ASP). Hung Medien. Retrieved 2 July 2012. (ASP).

Retrieved 2 July 2012. (ASP) (in Swedish). Retrieved 2 July 2012.

(ASP). Hung Medien (in German). How to check out on steam.

Swiss Music Charts. Retrieved 2 July 2012. Retrieved 10 October 2013. (in Italian). Retrieved 2 July 2012. Select albums in the Format field. Select Silver in the Certification field.

Type Songs of Mass Destruction in the 'Search BPI Awards' field and then press Enter.

Annie Lennox’s fourth solo album in fifteen years highlights not necessarily a control freaks’ dedication to perfection of her craft but rather a devotion to ordering her life around things that matter to her. She’s just been busy with family, friends and the wider injustices of human existence; you knowthe small stuff.

It’s this aspect of her life that’s reflected in Songs Of Mass Destruction.Less painfully autobiographical as her last release, Bare, on Songs Lennox displays, beyond any reasonable doubt, why she became a towering crossover icon for two decades. It’s the voice. Filled with the gravitas and emotion that we’ve come to expect, Annie’s pipes seem not to have aged one jot.But luckily Lennox has packed the tunes as well. Completely self-written, her way with a melody and the inclusion of amusingly idiosyncratic vocal tics as on the opening to “Womankind” - showing that it wasn’t just weird-beard Dave Stewart who had all the groundbreaking ideas in the Eurythmics – lift the often slightly too generic I’m-at-the-end-of-my-tether lyrics out of any mediocrity.